The Art of a Reboot

Source Note #1 - I've put this post down under the 'opinion' section of the blog, which is new. Let me know if you're...

Source

Note #1 - I've put this post down under the 'opinion' section of the blog, which is new. Let me know if you're into these types of posts, I think they might be a nice way to hear your thoughts!
Note #2 - I apologize for the excessive number of gifs in this post. I just learnt how to embed them, so forgive me!

I thought I'd discuss this today after Fuller House's Netflix launch. I mentioned it in my last words of the week, but I thought I'd bring it up again. I initially said I was disappointed with the reboot, but have thought about it a lot more in the past few days, and wanted to start up a conversation with you about 'the art of a reboot'. Not that I'm an expert or anything, but I thought it would be nice to start up a discussion about it. Everyone has different thoughts on the reboots, but really, what is the point of them?

Year of the reboot?

With Netflix, Hulu and TV networks constantly vying for an interesting, new idea for worldwide audiences, arguably a fail-proof method of gaining viewers is through reboots. whilst there is a lack of creativity and a possibility of bombed ratings, you're pretty much guaranteed a small audience of people who adored the original shows. Many are labeling 2016 as the "year of the reboot", with both the big and small screen throwing out copies of things we' body likely know the plot to. It's not like it's a new thing though. 90210, Charlie's Angels and many more "classic" 80s shows were thrust out to 2000s audiences with hopes of success. Many times, multiple generations were able to join together and bond over the one thing that changes from person to person - TV shows.

The flops (well, not flops, but idk)

This doesn't necessarily mean that audiences will always enjoy the new reboots. Which, of course, brings me to the main point of this giant ramble. You won't always be happy with a reboot. You might not be the target audience anymore (*sobs*). Maybe, just maybe, you've matured to the point where the show you're no longer part of that 'for the whole family demographic' (Fuller House, I'm looking at you). The jokes that you enjoyed at 5 or 10 might not be the most entertaining when you've seen more adult rated things. It sucks, but it's what happens when we get older. Shows like Gilmore Girls will probably have less of a problem with this, since it had a much wider target audience. But that doesn't guarantee that everything will stay the same. Fuller House's biggest complaint (besides you know, the lack of original characters) was that they didn't replicate the set exactly the same way. It's impossible to keep it the same, so as much as Gilmore Girls set pictures are looking the same, we never know. I don't know where I'm going with this.

Source
Changing with the times?

What do you want from a reboot?

Personally, I can say all the things I don't from a reboot, but can't exactly pinpoint what I do want. I think it's that nostalgic feeling, the one where everything seems to mesh together to the point where you feel like you haven't missed a show for over 10 years. It's not easily replicable, as all TV/ film buffs will know. You can't replicate everything. Just like us, the actors, directors, technology, they've all evolved. It's impossible for everything to be the same. If we think like this, is there even a point in doing reboots?

Do we even need reboots?

I've told you about all the bad stuff about reboots. I'm sure you've already heard it all by this point. It really makes one question whether we really even need reboots (I'll leave this bit to Sarah though, as she's the arts expert).


What's the point?

Well, this is the fun part (for me at least). I've shared my rambling thoughts on reboots. Now, I want to hear yours. What do you think makes a reboot so special? Can they really live up to the hype of the original series? Let me know what you think in the comments! 


P.S. Want to read more about reboots? Read Inside the weird business of cult TV reboots, from The Washington Post.

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